A striking Edo-period tsuka featuring an uncommon, combat-practical hira-maki (fA striking Edo-period tsuka featuring an uncommon, combat-practical hira-maki (fA striking Edo-period tsuka featuring an uncommon, combat-practical hira-maki (fA striking Edo-period tsuka featuring an uncommon, combat-practical hira-maki (f

A striking Edo-period tsuka featuring an uncommon, combat-practical hira-maki (f

Collection Record
MakerMumei
School / TraditionUnknown 派
Historical PeriodEdo Period
Typetsuka · koshirae
Material—
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Look closely at the pristine, unbroken lines of the wrap—there is no visible mekugi-ana (peg hole). This points to the sophisticated design of a kakushi-mekugi (hidden peg), where the bamboo pin is intentionally concealed beneath a fold of the silk to ensure a completely smooth, unhindered grip for the swordsman. A beautiful harmony of rugged utility, elegant artistry, and functional mystery.

Full Description

A striking Edo-period tsuka featuring an uncommon, combat-practical hira-maki (flat-wrap) style, executed in an aged, weathered cream silk cord. The wrap leaves a window near the fuchi to expose the textured, pebble-grained samegawa (rayskin) underneath. Nested securely beneath the cords is a masterfully sculpted, darkened menuki depicting a fierce, undulating Japanese dragon (ryu). This powerful motif carries seamlessly through to the gold-accented fuchi and kashira, where the mythical beast weaves effortlessly through stylized, swirling cosmic clouds. Look closely at the pristine, unbroken lines of the wrap—there is no visible mekugi-ana (peg hole). This points to the sophisticated design of a kakushi-mekugi (hidden peg), where the bamboo pin is intentionally concealed beneath a fold of the silk to ensure a completely smooth, unhindered grip for the swordsman. A beautiful harmony of rugged utility, elegant artistry, and functional mystery.

Detail Gallery
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刀工 — Maker Profile

Mumei

無銘
Schoolnull
Periodnull
Provincenull
Generationnull

Mumei (無銘) denotes a blade or fitting without a maker's signature. Unsigned works may be the product of a master who chose not to sign, an apprentice piece, or a work whose tang was shortened over time, removing the original inscription.