This is an impressive maru-gata (round) tsuba crafted in solid silver, featuringThis is an impressive maru-gata (round) tsuba crafted in solid silver, featuring

This is an impressive maru-gata (round) tsuba crafted in solid silver, featuring

Collection Record
MakerMumei
School / TraditionHamamono 派
Historical PeriodMeiji Period
Typetsuba · tosogu
Material—
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The term Hamamono is written in kanji as:

Provenance & History

• 浜 (Hama): This means "beach," "shore," or "harbor." In this context, it specifically refers to Yokohama, which was the primary international trading port of the era.

Full Description

This is an impressive maru-gata (round) tsuba crafted in solid silver, featuring a powerful and dynamic ryū (dragon) design is a masterful example of Hamamono—artistic metalwork produced in port cities like Yokohama during the late Edo and Meiji periods to meet the global demand for Japanese "exotic" luxury. The piece is executed in takabori (high-relief carving), where the dragon’s body twists and loops to form the outer rim of the tsuba, creating a sense of fluid motion and strength. The term Hamamono is written in kanji as: 浜物 Breakdown: • 浜 (Hama): This means "beach," "shore," or "harbor." In this context, it specifically refers to Yokohama, which was the primary international trading port of the era. • 物 (Mono): This simply means "thing," "item," or "object." Together, it literally translates to "harbor things" or "beach goods," identifying them as items purchased by travelers and collectors at the port. Design & Artistry The dragon is rendered with meticulous detail, showcasing deep-set eyes, flowing whiskers, and sharp claws grasping a nyoi-hōju (sacred flaming jewel) near the bottom. Its scales are individually articulated, catching the light across the silver surface to highlight the musculature of the mythical beast. The openwork (sukashi) elements between the coils of the dragon’s body give the piece a light, airy quality despite its substantial material. Technical Details • Material: Solid Silver (Gin). • Subject: Coiling Dragon (Ryū). • Style: Takabori Sukashi (High-relief openwork). • Motif: The dragon clutches a nyoi-hōju (sacred jewel) near the base, symbolizing prosperity and power. • Central Feature: The nakago-ana (blade hole) is framed by a polished, plain silver plate, providing a smooth visual anchor that contrasts beautifully with the complex, textured carving of the surrounding dragon. The reverse side of the tsuba continues the dragon's form with equal attention to detail, ensuring the design is cohesive and visually striking from every angle. A Relic of the Meiji Transition This tsuba represents that historic shift—a bridge between the functional discipline of the sword-smith and the refined decorative aesthetic of the Meiji-era artisan. They are "souvenirs," yes—but often created by the same hands that once forged the guards for the Shogun’s retainers. It stands as a stunning testament to a time when Japanese craftsmanship first took the world stage as a symbol of elegance and mystery. -Material: Solid Silver -Dimensions: 8.84cm x 8.10cm x .85cm -Weight: 224gm

Detail Gallery
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2 high-resolution detail views — use zoom viewer to inspect hamon, jihada, and metalwork

刀工 — Maker Profile

Mumei

無銘
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Mumei (無銘) denotes a blade or fitting without a maker's signature. Unsigned works may be the product of a master who chose not to sign, an apprentice piece, or a work whose tang was shortened over time, removing the original inscription.