
This tsuba is a fine example of Edo period metalwork featuring a dragon ascending a waterfall, a classic motif in Japanese decorative arts symbolizing power and perseverance. The gold inlay work on the eyes, whiskers, and polka dots demonstrates a high level of craftsmanship typical of distinguished regional schools. Its documented provenance tracing to a specific family lineage in Nagato Province in the Kyoho era adds historical and cultural value. Authentication by the NTHK further confirms its significance as a legitimate and noteworthy example of tosogu.
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This tsuba inherited the family headship in the seventh year of the Kyoho era and resided in Nagato Province, beautifully carved to depict a dragon ascending a waterfall. The eyes, whiskers, and polka dots are inlaid with gold. NTHK.
Sakushū Tomokiyo (作州住友清) was a provincial swordsmith active in Mimasaka Province during the mid-to-late 19th century, primarily during the **Shinshinto** era. He remains a relatively obscure and undocumented figure in major chronicles, distinct from the more frequently cited Tomokiyo lineages of Choshu or the Nakamura family of Satsuma [2]. His artistic output typically aligns with the **Bizen-den** revivalist styles prevalent in the Mimasaka region, likely influenced by the Yokoyama school, and is characterized by a refined *itame-hada* (wood-grain pattern) and *hamon* (temper line) of *suguba* (straight) or *gunome-choji* (clover-tree blossoms). Among serious collectors, he is regarded as a competent regional artisan whose work reflects the technical stability and aesthetic trends of late Edo-period provincial smithing, though his blades are rare in the current market.